Work

For a music video with Jordan Tarrell, directed by Steven Taylor and shot by Matthew Roe, DLP Aerials delivered a specialized aerial lighting and cinematography solution that pushed beyond traditional drone use.

Utilizing a Freefly Alta 8 drone, the team flew a 6K-equivalent LED lighting system—effectively creating a mobile “sky light” that could be positioned dynamically above the scene. This approach allowed the cinematography to evolve in real time, with light direction, shadow, and intensity shifting in sync with camera movement to shape a highly stylized, atmospheric look.

In addition, a DJI Inspire drone was used to capture aerial footage of the sequence, documenting both the environment and the lighting effect in motion. The result is a unique blend of aerial lighting design and drone cinematography, showcasing advanced on-set innovation and creative problem-solving for music video production.

DLP Aerials provided aerial cinematography for a K-pop music video featuring Suzy, executing complex air-to-air drone operations over the waters of Long Beach. The production involved coordinated flight alongside a seaplane, as well as precision timing with multiple moving vessels, requiring close collaboration with two boat captains.

Operating from boats in open ocean conditions, the team captured dynamic aerial footage while managing constantly shifting variables such as wind, water movement, and vessel motion. These conditions demand advanced piloting skills and extensive experience to ensure both safety and shot accuracy.

This project highlights DLP Aerials’ expertise in air-to-air cinematography, ocean-based drone operations, and complex multi-vehicle coordination—delivering high-end aerial footage in challenging marine environments.

DLP Aerials provided aerial cinematography for “Blue Tacoma” by Russell Dickerson, capturing the laid-back coastal energy that defines the piece. Filmed along the scenic shores of Malibu, the production embraced natural light, open roads, and ocean views to complement the song’s tone.

Using the DJI Inspire drone, the team captured smooth, cinematic passes over the coastline, adding scale and atmosphere to the visuals. With a small, agile crew, the shoot maintained a relaxed pace while delivering polished aerial footage that enhances the storytelling.

DLP Aerials provided aerial cinematography for “Look Up” by Ringo Starr, capturing sweeping visuals that elevate the message of the piece. Using the DJI Inspire drone, the team filmed expansive establishing shots of rolling grassy hills, setting a calm and open visual tone.

A key moment in the video features hundreds of extras assembling into a large-scale peace sign across the landscape—captured from above to fully reveal its shape and impact. The result is a clean, symbolic aerial sequence that blends music, message, and cinematic perspective.

Next To Me by Imagine Dragons is a hybrid short film and music video, directed by Mark Pellington and shot by cinematographer Matthew Roe. The project unfolds as a deeply emotional narrative, building toward a powerful and unexpected conclusion.

DLP Aerials contributed extensive aerial cinematography throughout the film, utilizing the DJI Inspire drone to capture a wide range of cinematic moments. The volume and quality of drone footage ultimately led to the creation of a dedicated aerial sequence for the end credits—an uncommon and visually striking choice that highlights the role of drone storytelling in the piece.

Blending narrative filmmaking with music video aesthetics, this project stands out as a visually driven, emotionally grounded production—and remains one of Gabe’s favorite collaborations.