DLP Aerials partnered once again with Anduril Industries to capture footage for Pulsar, a next-generation defense system designed to counter hostile drone threats. Filmed in an undisclosed location, the project provided a rare opportunity to document advanced counter-drone technology in action—demonstrating the ability to neutralize large-scale drone swarms in a single, coordinated response.
Aerial cinematography was captured using a heavy-lift drone platform carrying a RED Komodo, delivering stabilized, high-resolution footage in a controlled test environment. In addition, FPV drone systems were deployed to simulate first-person perspectives from within the swarm, creating a dynamic and immersive visual approach to showcasing the technology.
Drone operations were led by Malin Hiles, FPV pilot and owner of DLP Aerials, whose expertise in high-performance drone systems ensured precise execution throughout the production. This project highlights DLP Aerials’ capabilities in defense-focused cinematography, complex aerial coordination, and capturing cutting-edge technology in high-security environments.
DLP Aerials had the privilege of capturing the maiden flight of the Anduril YFQ-44A autonomous aircraft—a next-generation, AI-powered jet developed by Anduril Industries. While details of the program remain limited, documenting the first flight of a fully autonomous aircraft was a rare and significant moment in aerospace innovation.
The project was led in part by Malin Hiles, FPV pilot and owner of DLP Aerials, whose background in aeronautical engineering and defense brought a high level of technical precision and safety to the operation. His expertise was instrumental in navigating the complexities of filming within a controlled aerospace testing environment.
To safely and effectively capture the scale and speed of the aircraft, the team deployed a Freefly Alta X drone paired with a MoVI Carbon gimbal system, delivering stabilized, high-end aerial footage in a complex test environment. This project highlights DLP Aerials’ capabilities in aerospace cinematography, high-performance drone operations, and working within sensitive, high-security productions.
For the Grammy Awards 2026, DLP Aerials delivered a graceful opening drone shot for Addison Rae’s performance at Crypto.com Arena. The opening shot features a DJI Inspire 3 night shot establishing downtown Los Angeles and the arena, transitioning to a coordinated vehicle move as a box truck enters the loading ramp. Positioned on the back of the truck, Addison Rae is revealed as if covertly entering the venue, with the drone shot seamlessly handing off to a Steadicam tracking shot that follows her inside. This sequence highlights advanced drone filming, live event cinematography, and precision aerial-to-ground camera transitions for broadcast production.
DLP Aerials collaborated with Anduril Industries to capture aerial cinematography for Bolt, one of their advanced defense platforms, during active engineering test operations. Filmed in a remote desert environment, the production required careful coordination alongside engineering teams to ensure zero interference with ongoing testing.
A dual-platform approach was used to achieve both cinematic and dynamic coverage. A Freefly Alta X drone carrying a RED Komodo with prime lenses delivered stabilized, high-end imagery, while a custom heavy-lift FPV drone—also equipped with a RED Komodo—provided agile, high-speed perspectives not achievable with traditional systems.
Operating in extreme heat and within an active test environment demanded precision, patience, and strict adherence to safety protocols. This project highlights DLP Aerials’ ability to integrate seamlessly into technical workflows, delivering high-quality aerial footage for defense, technology, and engineering-driven productions.